‘It is tough to convince producers and actors to be a part of the stories I want to say’: Bejoy Nambiar


Filmmaker Bejoy Nambiar discusses his new movie ‘Taish’, which is about to make a simultaneous launch as a movie and an internet sequence

Try asking a inventive thoughts to shoehorn his murals in a mode that fits the viewers’s notion of his concept, likelihood is that you can be met with a response just like Bejoy Nambiar’s. “If I had to distill [the film], then yeah… Taish is a revenge drama,” the 41-year-old filmmaker says, when requested to categorise his upcoming movie’s style.

“I’m a big fan of the drama genre. I’m also a fan of human [centric] stories. I tend to gravitate towards these ideas when I write. Taish is an example. It has action, it is set in the format of a thriller, but at the core of it, the film is a human [centric] story and tackles serious issues (sic),” he provides, over telephone from his Mumbai residence.

Cut from the identical fabric

Starring Pulkit Samrat, Kriti Kharbanda, Jim Sarbh, Harshvardhan Rane and Abhimanyu Singh amongst others, Taish is about to make a simultaneous launch as a movie and a six-episode net sequence on ZEE5 on October 29. It follows the story of two warring households and a previous incident that involves hang-out them. “A cycle of violence and revenge starts and there is seemingly no tangible end,” Bejoy notes.

While he shot Taish as a function movie, the thought to make a separate reduce and package deal it as an internet sequence grew to become attainable after lockdown. Bejoy had screened a tough reduce to a check viewers prior. Feedback indicated a choice to look at the content material as net sequence, however the filmmaker solely acted on it after the pandemic outbreak. “The lockdown really helped because the film’s editor [Priyank Prem Kumar] and I were able to revisit the material. We first did a three-episode version and then cut it down further to six episodes,” he says.

Netflix début

  • Bejoy, who has assisted Mani Ratnam previously, returned to work in that capability for his mentor’s magnum opus directorial, Ponniyin Selvan. Production on the movie, which options an ensemble forged, needed to be placed on maintain because of the pandemic outbreak, however it’s now speculated that filming is more likely to resume in November or December 2020.
  • While Bejoy is anticipated to rejoin Ponniyin Selvan crew, the filmmaker remarks that he, in the meantime, is more likely to end work on a Netflix undertaking starring Madhuri Dixit, which is bankrolled by Karan Johar’s Dharma Productions. “I’m about to direct four episodes,” he says.

Bejoy factors out that the net sequence just isn’t a chopped down model of the movie. “It is a different kind of edit, and in terms of viewing experience, both the film and the web series would be different,” he says, including, “In a way, this empowers the audience to choose the format in which they want to watch Taish, which is a novel way of presenting the content.”

Known for his distinctive tales in David, Shaitan and the Dulquer Salmaan-starrer Solo, Bejoy has, previously, been vocal of ‘his struggles’ to deliver his imaginative and prescient to actuality. “I find it a challenge to convince producers and actors to come on board the kind of stories I want to say. I want to work with people who let me realise my film the way I want it,” he says.

Ensemble hassle

His observe report additionally signifies a penchant for making multi-starrer movies, though, suffice to say, it’s not simple.

A still from ‘Taish’

“[Multi-starrers] have become an alien concept. Even a two hero subject is so difficult to cast. The idea I get from producers and directors is that it is almost a crime to write an ensemble subject. You have two or three multi-starrers in the comedy genre every year but in thrillers and drama, none at all,” says Bejoy, including, “I think insecurity of the artiste is one main reason, but also there isn’t enough conviction shown by artistes on the story and the maker.”

But for somebody who just isn’t all the time dealt the hand he needs, Bejoy just isn’t quick on optimism. For occasion, his want to make a function movie with Mohanlal and Mammootty — “both together in the same film if possible”, he says — has not pale. Bejoy’s début quick movie, Reflections, featured Mohanlal. “Mammootty and Mohanlal are the heroes that I grew up watching. It is their cinema that inspired people like me to join films. I did go to Lal sir with a Malayalam subject but it didn’t work out. I ended up making it as a one hour short film later on, but there still is time,” he provides.

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