Kannada director Karthik Saragur says filmmaking is rather like cooking

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The filmmaker is now basking within the limelight of the just-released ‘Bheemasena Nalamaharaja’, which is now streaming on Amazon Prime Video

After profitable accolades for his kids’s movie, Jeerjimbe, Karthik Saragur is now basking within the limelight of his just-released movie, Bheemasena Nalamaharaja, which was launched on Amazon Prime Video on October 29.

Produced by Pushkara Mallikarjunaiah, Rakhit Shetty and Hemanth Kumar, the movie stars Aravind Iyer and Arohi Narayan.

Karthik, who has labored with the likes of Sunil Kumar Desai, TN Seetharam and Nagesh Kukunoor as a dressing up designer, talks to MetroPlus about Bheemasena…, route and what filmmaking means to him.

Edited excerpts

What is the inspiration behind Bheemasena…?

The fundamental concept for the story got here from director Simple Suni. I constructed the script round that. Food performs an essential function within the movie. I grew up in a household of hoteliers and cooks. We eat on a regular basis and but are by no means grateful to the individuals who prepare dinner for us. Similarly we generally don’t respect relationships and other people both.

Just as meals is the results of elements coming collectively in the precise amount, a movie ought to have the whole lot in the precise proportion for a great story. Filmmaking is rather like cooking — over prepare dinner it and the meals will get burnt, for those who do much less it’s undercooked.

Could you speak concerning the casting?

I consider that nothing could be made, not even cinema. All the folks within the movie occurred to be part of it. Once they had been solid, it was as much as every of them to establish with their character and painting it on display.

You have made a 140-episode documentary collection on Bengaluru…

It is among the longest documentaries made on any metropolis. Despite that now we have coated simply 40 % of the historical past of the town. The collection was born out of my ardour for the town. Bengaluru has an excellent historical past. Originally the documentary was created for a non-public channel, however now, we plan to edit it and make it accessible to all.

You have dabbled in all elements of filmmaking. Does that assist you to work higher or do you’re feeling you need to specialize in only one facet of filmmaking?

A director has to find out about all of the elements of filmmaking. It is sort of a girl preserving her dwelling. She is conscious of each want and takes on each duty. For me route just isn’t a job, however a lifestyle the place you must care for each facet of the movie and the folks concerned in it.

Jeerjimbe has achieved effectively. Did you count on this?

No, however what saddens me is why do we have to have a separate section known as kids’s movie. We don’t want such categorisation as 40 % cent of the film-watching inhabitants are kids. We educate them a variety of issues, however we don’t educate them on find out how to watch and respect a movie. We want to try this as a result of kids and tales go hand-in-hand.

Jeerjimbe was aimed to deal with the issue of the lady youngster. I needed the movie to achieve each nook of the nation. I’m proud of the best way Jeerjimbe has been accepted by the younger and outdated alike.



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